Duke Ellington Unisex T-Shirt

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Duke Ellington Unisex T-Shirt

$ 34.99 $ 28.99

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Finally, a way to show your respect for some of the greatest icons, legends and pioneers that paved the way past and present. Rock this gear in style and bring back the moments that made you, memories they gave you and/or lessons they taught you. Scroll down for a history lesson with some of our favorite clips.

Welcome to the Respect Due family Duke Ellington! We salute you.

Features:

  • 4.2 oz., 100% airlume combed and ringspun cotton
  • retail fit
  • unisex sizing
  • shoulder taping
  • side-seamed
  • pre-shrunk
SKU: 22824 Categories: , ,
Clear

Description

Reminiscing in Tempo: Duke Ellington Documentary

 

Edward Kennedy “Duke” Ellington (April 29, 1899 – May 24, 1974) was an American composer, pianist, and leader of a jazz orchestra, which he led from 1923 until his death over a career spanning more than six decades.

Born in Washington, D.C., Ellington was based in New York City from the mid-1920s onward and gained a national profile through his orchestra’s appearances at the Cotton Club in Harlem. In the 1930s, his orchestra toured in Europe. Although widely considered a pivotal figure in the history of jazz, Ellington embraced the phrase “beyond category” as a liberating principle and referred to his music as part of the more general category of American Music.

Some of the jazz musicians who were members of Ellington’s orchestra, such as saxophonist Johnny Hodges, are considered among the best players in the idiom. Ellington melded them into the best-known orchestral unit in the history of jazz. Some members stayed with the orchestra for several decades. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, for example Juan Tizol‘s “Caravan“, and “Perdido“, which brought a Spanish tinge to big band jazz. In the early 1940s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed many extended compositions, or suites, as well as additional short pieces. Following an appearance at the Newport Jazz Festival in July 1956, Ellington and his orchestra enjoyed a major revival and embarked on world tours. Ellington recorded for most American record companies of his era, performed in and scored several films, and composed a handful of stage musicals.

Ellington was noted for his inventive use of the orchestra, or big band, and for his eloquence and charisma. His reputation continued to rise after he died, and he was awarded a posthumous Pulitzer Prize Special Award for music in 1999.

 

Duke Ellington, “Take the A Train”

Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs, and James preferred operatic arias. They lived with Daisy’s parents at 2129 Ida Place (now Ward Place), NW, in D.C.’s West End neighborhood. Duke’s father was born in Lincolnton, North Carolina, on April 15, 1879, and moved to D.C. in 1886 with his parents. Daisy Kennedy was born in Washington, D.C., on January 4, 1879, the daughter of two former American slaves. James Ellington made blueprints for the United States Navy.

When Edward Ellington was a child, his family showed racial pride and support in their home, as did many other families. African Americans in D.C. worked to protect their children from the era’s Jim Crow laws.

At age seven, Ellington began taking piano lessons from Marietta Clinkscales. Daisy surrounded her son with dignified women to reinforce his manners and teach him elegance. His childhood friends noticed that his casual, offhand manner and dapper dress gave him the bearing of a young nobleman, so they began calling him “Duke”. Ellington credited his friend Edgar McEntree for the nickname. “I think he felt that in order for me to be eligible for his constant companionship, I should have a title. So he called me Duke.”

Though Ellington took piano lessons, he was more interested in baseball. “President Roosevelt (Teddy) would come by on his horse sometimes, and stop and watch us play”, he recalled. Ellington went to Armstrong Technical High School in Washington, D.C. His first job was selling peanuts at Washington Senators baseball games.

Ellington started sneaking into Frank Holiday’s Poolroom at age fourteen. Hearing the music of the poolroom pianists ignited Ellington’s love for the instrument, and he began to take his piano studies seriously. Among the many piano players he listened to were Doc Perry, Lester Dishman, Louis Brown, Turner Layton, Gertie Wells, Clarence Bowser, Sticky Mack, Blind Johnny, Cliff JacksonClaude Hopkins, Phil Wurd, Caroline Thornton, Luckey RobertsEubie Blake, Joe Rochester, and Harvey Brooks.

In the summer of 1914, while working as a soda jerk at the Poodle Dog Café, Ellington wrote his first composition, “Soda Fountain Rag” (also known as the “Poodle Dog Rag”). He created the piece by ear, as he had not yet learned to read and write music. “I would play the ‘Soda Fountain Rag’ as a one-steptwo-stepwaltztango, and fox trot“, Ellington recalled. “Listeners never knew it was the same piece. I was established as having my own repertoire.” In his autobiography, Music is my Mistress (1973), Ellington wrote that he missed more lessons than he attended, feeling at the time that piano was not his talent.

Ellington continued listening to, watching, and imitating ragtime pianists, not only in Washington, D.C., but in Philadelphia and Atlantic City, where he vacationed with his mother during the summer. He would sometimes hear strange music played by those who could not afford much sheet music, so for variations, they played the sheets upside down. Henry Lee Grant, a Dunbar High School music teacher, gave him private lessons in harmony. With the additional guidance of Washington pianist and band leader Oliver “Doc” Perry, Ellington learned to read sheet music, project a professional style, and improve his technique. Ellington was also inspired by his first encounters with stride pianists James P. Johnson and Luckey Roberts. Later in New York he took advice from Will Marion CookFats Waller and Sidney Bechet. He started to play gigs in cafés and clubs in and around Washington, D.C. His attachment to music was so strong that in 1916 he turned down an art scholarship to the Pratt Institute in Brooklyn. Three months before graduating, he dropped out of Armstrong Manual Training School, where he was studying commercial art.

Duke Ellington – It don’t mean a thing (1943)

 

Ella Fitzgerald and Duke Ellington “It Don’t Mean A Thing (If It Ain’t Got That Swing)”

 

Duke ellington & His Orchestra live in Tivoli Garden 1969 very rare [Full Concert]

 

Duke Ellington Plays Jazz Standards

3001 Sizing Chart

UNISEX FIT & SIZE CHART

SIZEFITS CHESTLENGTH
XS34"27"
S36"28"
M40"29"
L44"30"
XL48"31"
2X52"32"
3X56"33"
4X62"34"
5x66"35"

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