Eartha Kitt Unisex T-Shirt

Description

Kitt began her career as a member of the Katherine Dunham Company in 1943 and remained a member of the troupe until 1948. A talented singer with a distinctive voice, she recorded the hits “Let’s Do It“, “Champagne Taste”, “C’est si bon” (which Stan Freberg famously burlesqued), “Just an Old Fashioned Girl”, “Monotonous“, “Je cherche un homme”, “Love for Sale“, “I’d Rather Be Burned as a Witch”, “Kâtibim” (a Turkish melody), “Mink, Schmink”, “Under the Bridges of Paris” and her most recognizable hit “Santa Baby“, which was released in 1953. Kitt’s unique style was enhanced as she became fluent in French during her years performing in Europe. She spoke four languages (she is thought to have learned German and Dutch from her stepfather, English from her mother, and French from the European cabaret circuit) and sang in eleven, which she demonstrated in many of the live recordings of her cabaret performances. Diana Ross said that as a member of The Supremes she largely based her look and sound after Kitt’s.

Career peaks

Kitt asleep on a bus, 1962

In 1950, Orson Welles gave Kitt her first starring role as Helen of Troy in his staging of Dr. Faustus. Two years later, she was cast in the revue New Faces of 1952, introducing “Monotonous” and “Bal, Petit Bal”, two songs with which she is still identified. In 1954, 20th Century Fox distributed an independently filmed version of the revue entitled New Faces, in which she performed “Monotonous”, “Uska Dara“, “C’est si bon“, and “Santa Baby“. Though it is often alleged that Welles and Kitt had an affair during her 1957 run in Shinbone Alley, Kitt categorically denied this in a June 2001 interview with George Wayne of Vanity Fair. “I never had sex with Orson Welles,” Kitt told Vanity Fair: “It was a working situation and nothing else.” Her other films in the 1950s included The Mark of the Hawk (1957), St. Louis Blues (1958) and Anna Lucasta (1958). Kitt had a minor hit in Sweden 1956 with her record in Swedish, “Rosenkyssar” (“Rose Kisses”, RCA FAS 511).

Throughout the rest of the 1950s and early 1960s, she recorded; worked in film, television, and nightclubs; and returned to the Broadway stage, in Mrs. Patterson (during the 1954–1955 season), Shinbone Alley (in 1957), and the short-lived Jolly’s Progress (in 1959). In 1964, Kitt helped open the Circle Star Theater in San Carlos, California. In the late 1960s, Batman featured Kitt as Catwoman after Julie Newmar had left the show in 1967. She appeared in a 1967 Mission: Impossible episode, “The Traitor,” as a contortionist.

Kitt as Catwoman in the Batman television series, 1967

The “White House Incident”

In January 1968, during Lyndon B. Johnson‘s administration, Kitt encountered a substantial professional setback after she made anti-war statements during a White House luncheon. Kitt was asked by First Lady Lady Bird Johnson about the Vietnam War. She replied: “You send the best of this country off to be shot and maimed. No wonder the kids rebel and take pot.” During a question and answer session, Kitt stated:

The children of America are not rebelling for no reason. They are not hippies for no reason at all. We don’t have what we have on Sunset Blvd. for no reason. They are rebelling against something. There are so many things burning the people of this country, particularly mothers. They feel they are going to raise sons – and I know what it’s like, and you have children of your own, Mrs. Johnson – we raise children and send them to war.

Her remarks caused Mrs. Johnson to burst into tears. It is widely believed that Kitt’s career in the United States was ended following her comments about the Vietnam War, after which she was branded “a sadistic nymphomaniac” by the CIA. A defamatory CIA dossier about Kitt was discovered by Seymour Hersh in 1975. Hersh published an article about the dossier in The New York Times. The dossier contained comments about Kitt’s sex life and family history, along with negative opinions of her that were held by former colleagues. Kitt’s response to the dossier was to say “I don’t understand what this is about. I think it’s disgusting.” Following the incident, Kitt devoted her energies to performances in Europe and Asia.

Broadway

In the 1970s, Kitt appeared on television several times on BBC‘s long-running variety show The Good Old Days, and in 1987 took over from fellow American Dolores Gray in the London West End production of Stephen Sondheim’s Follies and returned at the end of that run to star in a one-woman-show at the same Shaftesbury Theatre, both to tremendous acclaim. In both those shows performing the show-stopping theatrical anthem “I’m Still Here“. Kitt returned to New York City in a triumphant turn in the Broadway spectacle Timbuktu! (a version of the perennial Kismet, set in Africa) in 1978. In the musical, one song gives a “recipe” for mahoun, a preparation of cannabis, in which her sultry purring rendition of the refrain “constantly stirring with a long wooden spoon” was distinctive. She was nominated for the Tony Award for Best Actress in a Musical for her performance. In the late 1990s, she appeared as the Wicked Witch of the West in the North American national touring company of The Wizard of Oz. In 2000, Kitt again returned to Broadway in the short-lived run of Michael John LaChiusa‘s The Wild Party. Beginning in late 2000, Kitt starred as the Fairy Godmother in the U.S. national tour of Cinderella. In 2003, she replaced Chita Rivera in Nine. Kitt reprised her role as the Fairy Godmother at a special engagement of Cinderella, which took place at Lincoln Center during the holiday season of 2004. From October to early December 2006, Kitt co-starred in the off-Broadway musical Mimi le Duck.

Voice-over

In 1978, Kitt did the voice-over in a television commercial for the album Aja by the rock group Steely Dan. One of her more unusual roles was as Kaa in a 1994 BBC Radio adaptation of The Jungle Book. In 1998, she voiced Bagheera in the live-action direct-to-video Disney film The Jungle Book: Mowgli’s Story. Kitt also lent her distinctive voice to Yzma in The Emperor’s New Groove (for which she won her first Annie Award) and reprised her role in Kronk’s New Groove and The Emperor’s New School, for which she won two Emmy Awards and, in 2007–08, two more Annie Awards for Voice Acting in an Animated Television Production. Kitt had voiced Vexus in My Life as a Teenage Robot.

Later years

1980s

In 1984, she returned to the music charts with a disco song titled “Where Is My Man“, the first certified gold record of her career. “Where Is My Man” reached the Top 40 on the UK Singles Chart, where it peaked at No. 36; the song became a standard in discos and dance clubs of the time and made the Top 10 on the US Billboard dance chart, where it reached No. 7. The single was followed by the album I Love Men on the Record Shack label. Kitt found new audiences in nightclubs across the UK and the United States, including a whole new generation of gay male fans, and she responded by frequently giving benefit performances in support of HIV/AIDS organizations. Her 1989 follow-up hit “Cha-Cha Heels” (featuring Bronski Beat), which was originally intended to be recorded by Divine, received a positive response from UK dance clubs, reaching No. 32 in the charts in that country. In 1988, Kitt replaced Dolores Gray in the West End production of Stephen Sondheim‘s Follies as Carlotta, receiving standing ovations every night for her rendition of “I’m Still Here” at the beginning of act 2. She went on to perform her own one-woman show at The Shaftesbury Theatre to sold-out houses for three weeks in early 1989 after Follies.

1990s

Kitt appeared with Jimmy James and George Burns at a fundraiser in 1990 produced by Scott Sherman, agent from the Atlantic Entertainment Group. It was arranged that James would impersonate Kitt and then Kitt would walk out to take the microphone. This was met with a standing ovation. In 1991, Kitt returned to the screen in Ernest Scared Stupid as Old Lady Hackmore. In 1992, she had a supporting role as Lady Eloise in Boomerang. In 1995, Kitt appeared as herself in an episode of The Nanny, where she performed a song in French and flirted with Maxwell Sheffield (Charles Shaughnessy). In November 1996, she appeared in an episode of Celebrity Jeopardy!. She also did a series of commercials for Old Navy.

2000s

Kitt was the spokesperson for MAC Cosmetics‘ Smoke Signals collection in August 2007. She re-recorded “Smoke Gets in Your Eyes” for the occasion, was showcased on the MAC website, and the song was played at all MAC locations carrying the collection for the month. She also appeared in the 2007 independent film And Then Came Love opposite Vanessa Williams. In her later years, Kitt made annual appearances in the New York Manhattan cabaret scene at venues such as the Ballroom and the Café Carlyle. As noted, Kitt did voice work for the animated projects The Emperor’s New Groove and its spinoffs, as well as for My Life as a Teenage Robot. In April 2008, just months before her death, Kitt appeared at the Cheltenham Jazz Festival; the performance was recorded. She was also a guest star in “Once Upon a Time in Springfield” of The Simpsons, where she was depicted as one of Krusty’s past marriages.

Eartha Kitt:C’est Si Bon Live Kaskad 1962

Eartha Kitt – I don’t Care

Speaking Freely: Eartha Kitt

Eartha Kitt on Sally 1990

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