Isaac Hayes Unisex T-Shirt

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Isaac Hayes Unisex T-Shirt

$ 34.99

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Finally, a way to show your respect for some of the greatest icons, legends and pioneers that paved the way past and present. Rock this gear in style and bring back the moments that made you, memories they gave you and/or lessons they taught you. Scroll down for a history lesson with some of our favorite clips.

Welcome to the Respect Due family Isaac Hayes! We salute you.

Features:

  • 4.2 oz., 100% airlume combed and ringspun cotton
  • retail fit
  • unisex sizing
  • shoulder taping
  • side-seamed
  • pre-shrunk
SKU: 13785 Categories: , ,
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Description

The Underrated Genius of Isaac Hayes

 

Isaac Lee Hayes Jr. (August 20, 1942 – August 10, 2008) was an American singer, songwriter, actor, and producer. Hayes was one of the creative forces behind the Southern soul music label Stax Records, where he served both as an in-house songwriter and as a session musician and record producer, teaming with his partner David Porter during the mid-1960s. Hayes and Porter were inducted into the Songwriters Hall of Fame in 2005 in recognition of writing scores of songs for themselves, the duo Sam & DaveCarla Thomas, and others. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame.

Soul Man“, written by Hayes and Porter and first performed by Sam & Dave, was recognized as one of the most influential songs of the past 50 years by the Grammy Hall of Fame. It was also honored by The Rock and Roll Hall of Fame, by Rolling Stone magazine, and by the Recording Industry Association of America (RIAA) as one of the Songs of the Century. During the late 1960s, Hayes also began a career as a recording artist. He had several successful soul albums such as Hot Buttered Soul (1969) and Black Moses (1971). In addition to his work in popular music, he worked as a composer of musical scores for motion pictures.

Hayes was well known for his musical score for the film Shaft (1971). For the “Theme from Shaft“, he was awarded the Academy Award for Best Original Song in 1972. He became the third African-American, after Sidney Poitier and Hattie McDaniel, to win an Oscar in any competitive field covered by the Academy of Motion Picture Arts and Sciences. He also won two Grammy Awards for that same year. Later, he was given his third Grammy for his music album Black Moses.

In 1992, Hayes was crowned honorary king of the Ada region of Ghana in recognition of his humanitarian work there. He acted in motion pictures and television, such as in the movies Truck Turner and I’m Gonna Git You Sucka, and as Gandolf “Gandy” Fitch in the TV series The Rockford Files (1974–1980). He voiced the character Chef from the animated Comedy Central series South Park from its debut in 1997 until 2006. His influences were Percy MayfieldBig Joe TurnerJames BrownJerry ButlerSam CookeFats DominoMarvin GayeOtis Redding, and psychedelic soul groups like The Chambers Brothers and Sly and the Family Stone.

On August 5, 2003, Hayes was honored as a BMI Icon at the 2003 BMI Urban Awards for his enduring influence on generations of music makers. Throughout his songwriting career, Hayes received five BMI R&B Awards, two BMI Pop Awards, two BMI Urban Awards and six Million-Air citations. As of 2008, his songs generated more than 12 million performances.

 

Isaac Hayes – Theme From Shaft (1971)

Stax Records and Shaft

Hayes began his recording career in the early 1960s, as a session player for various acts of the Memphis-based Stax Records. He later wrote a string of hit songs with songwriting partner David Porter, including “You Don’t Know Like I Know”, “Soul Man“, “When Something Is Wrong with My Baby” and “Hold On, I’m Comin’” for Sam & Dave. Hayes, Porter and Stax studio band Booker T. & the M.G.’s were also the producers for Sam & Dave, Carla Thomas and other Stax artists during the mid-1960s.

Hayes-Porter contributed to the Stax sound made famous during this period, and Sam & Dave credited Hayes for helping develop both their sound and style. In 1968, Hayes released his debut album, Presenting Isaac Hayes, a jazzy, largely improvised effort that was commercially unsuccessful.

His next album was Hot Buttered Soul, which was released in 1969 after Stax had gone through a major upheaval. Its biggest star, Otis Redding, had died in a plane crash in 1967. Stax lost its back catalog to Atlantic Records in May 1968. As a result, Stax executive vice president Al Bell called for 27 new albums to be completed in mid-1969; Hot Buttered Soul was the most successful of these releases.

This album is noted for Hayes’s image (shaved head, gold jewelry, sunglasses, etc.) and his distinct sound (extended orchestral songs relying heavily on organs, horns and guitars, deep bass vocals, etc.). Also on the album, Hayes reinterpreted “Walk On By” (which had been made famous by Dionne Warwick) into a 12-minute exploration. “By the Time I Get to Phoenix” starts with an eight-minute-long monologue before breaking into song, and the lone original number, the funky “Hyperbolicsyllabicsesquedalymistic” runs nearly ten minutes, a significant break from the standard three-minute soul/pop songs. “Walk On By” would be the first of many times Hayes would take a Burt Bacharach standard, generally made famous as three-minute pop songs by Dionne Warwick or Dusty Springfield, and transform it into a soulful, lengthy and almost gospel number. In 1970, Hayes released two albums, The Isaac Hayes Movement and To Be Continued. The former stuck to the four-song template of his previous album. Jerry Butler’s “I Stand Accused” begins with a trademark spoken word monologue, and Bacharach’s “I Just Don’t Know What to Do with Myself” is re-worked.

The latter spawned the classic “The Look of Love“, another Bacharach song transformed into an 11-minute epic of lush orchestral rhythm (mid-way it breaks into a rhythm guitar jam for a couple of minutes before suddenly resuming the slow love song). An edited three-minute version was issued as a single. The album featured the instrumental “Ike’s Mood,” which segued into his own version of “You’ve Lost That Loving Feeling“. Hayes released a Christmas single, “The Mistletoe and Me” (with “Winter Snow” as a B-side).

In early 1971, Hayes composed music for the soundtrack of the blaxploitation film Shaft (he appeared in a cameo role as a bartender). The title theme, with its wah-wah guitar and multi-layered symphonic arrangement, would become a worldwide hit single, and spent two weeks at number one in the Billboard Hot 100 in November. The remainder of the album was mostly instrumentals covering big beat jazz, bluesy funk, and hard Stax-styled soul. The other two vocal songs, the social commentary “Soulsville” and the 19-minute jam “Do Your Thing,” would be edited down to hit singles. He won an Academy Award for Best Original Song for the “Theme from Shaft“, and was nominated for Best Original Dramatic Score for the film’s score. Later in the year, Hayes released a double album, Black Moses, that expanded on his earlier sounds and featured The Jackson 5‘s song “Never Can Say Goodbye“. Another single, “I Can’t Help It”, was not featured on the album.

In 1972, Hayes would record the theme tune for the television series The Men and enjoy a hit single (with “Type Thang” as a B-side). He released a couple of other non-album singles during the year, such as “If Loving You Is Wrong (I Don’t Want to Be Right)” and “Rolling Down a Mountainside”. Atlantic would re-release Hayes’s debut album this year with the new title In The Beginning.

Hayes was back in 1973 with an acclaimed live double album, Live at the Sahara Tahoe, and followed it up with the album Joy, with the eerie beat of the 15-minute title track. He moved away from cover songs with this album. An edited “Joy” would be a hit single.

In 1974, Hayes was featured in the blaxploitation films Three Tough Guys and Truck Turner, and he recorded soundtracks for both. Tough Guys was almost devoid of vocals and Truck Turner yielded a single with the title theme. The soundtrack score of Truck Turner was eventually used by filmmaker Quentin Tarantino in the Kill Bill film series, and has been used for over 30 years as the opening score of Brazilian radio show Jornal de Esportes on the Jovem Pan station. Unlike most African-American musicians of the period, Hayes did not sport an Afro; his bald head became one of his defining characteristics.

 

Return to fame and stardom

In 1995, Hayes appeared as a Las Vegas minister impersonating himself in the comedy series The Fresh Prince of Bel-Air. He launched a comeback on the Virgin label in May 1995 with Branded, an album of new material that earned impressive sales figures as well as positive reviews from critics who proclaimed it a return to form. A companion album released around the same time, Raw and Refined, featured a collection of previously unreleased instrumentals, both old and new. For the 1996 film Beavis and Butt-Head Do America, he wrote a version of the Beavis and Butt-head theme in the style of the Shaft theme.

Soon after, Hayes joined the founding cast of Comedy Central‘s animated TV series, South Park. Hayes provided the voice for the character of “Chef“, the amorous elementary-school lunchroom cook, from the show’s debut on August 13, 1997 (one week shy of his 55th birthday), through the end of its ninth season in 2006. The role of Chef drew on Hayes’s talents both as an actor and as a singer, thanks to the character’s penchant for making conversational points in the form of crudely suggestive soul songs. An album of songs from the series appeared in 1998 with the title Chef Aid: The South Park Album reflecting Chef’s popularity with the show’s fans, and the Chef song “Chocolate Salty Balls” became a number-one U.K. hit.

In 2000, he appeared on the soundtrack of the French movie The Magnet on the song “Is It Really Home” written and composed by rapper Akhenaton (IAM) and composer Bruno Coulais. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame. After he played a set at the Glastonbury Festival, the same year a documentary highlighting Isaac’s career and his impact on many of the Memphis artists in the 1960s onwards was produced, “Only The Strong Survive”. In 2004, Hayes appeared in a recurring minor role as the Jaffa Tolok on the television series Stargate SG-1. The following year, he appeared in the critically acclaimed independent film Hustle & Flow. He also had a brief recurring role in UPN/The CW‘s Girlfriends as Eugene Childs (father of Toni).

Walk On By – Isaac Hayes w/The Bar-Kays (1969)

 

I Stand Accused by Isaac Hayes from The Isaac Hayes Movement

 

Best Songs Of Isaac Hayes – Isaac Hayes Greatest Hits Full Album 2021

3001 Sizing Chart

UNISEX FIT & SIZE CHART

SIZEFITS CHESTLENGTH
XS34"27"
S36"28"
M40"29"
L44"30"
XL48"31"
2X52"32"
3X56"33"
4X62"34"
5x66"35"

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