Sly The Family Stone Unisex T-Shirt
Finally, a way to show your respect for some of the greatest icons, legends and pioneers that paved the way past and present. Rock this gear in style and bring back the moments that made you, memories they gave you and/or lessons they taught you. Scroll down for a history lesson with some of our favorite clips.
Welcome to the Respect Due family Sylvester! We salute you.
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Sly Stone: Portrait of a Legend – documentary (part 1 of 2)
Sly and the Family Stone was an American band from San Francisco. Active from 1966 to 1983, it was pivotal in the development of funk, soul, rock, and psychedelic music. Its core line-up was led by singer-songwriter, record producer, and multi-instrumentalist Sly Stone, and included Stone’s brother and singer/guitarist Freddie Stone, sister and singer/keyboardist Rose Stone, trumpeter Cynthia Robinson, drummer Greg Errico, saxophonist Jerry Martini, and bassist Larry Graham. It was the first major American rock group to have a racially integrated, male and female lineup.
Formed in 1966, the group’s music synthesized a variety of disparate musical genres to help pioneer the emerging “psychedelic soul” sound. They released a series of Top 10 Billboard Hot 100 hits such as “Dance to the Music” (1968), “Everyday People” (1968), and “Thank You (Falettinme Be Mice Elf Agin)” (1969), as well as critically acclaimed albums such as Stand! (1969), which combined pop sensibility with social commentary. In the 1970s, it transitioned into a darker and less commercial funk sound on releases such as There’s a Riot Goin’ On (1971) and Fresh (1973), proving as influential as their early work. By 1975, drug problems and interpersonal clashes led to dissolution, though Sly continued to record and tour with a new rotating lineup under the name “Sly and the Family Stone” until drug problems forced his effective retirement in 1987.
The work of Sly and the Family Stone greatly influenced the sound of subsequent American funk, pop, soul, R&B, and hip hop music. Music critic Joel Selvin wrote, “there are two types of black music: black music before Sly Stone, and black music after Sly Stone”. In 2010, they were ranked 43rd in Rolling Stone’s 100 Greatest Artists of All Time, and three of their albums are included on Rolling Stone’s 500 Greatest Albums of All Time. The band was inducted into the Rock and Roll Hall of Fame in 1993.
Sly & The Family Stone Thank You (Falettinme Be Mice Elf Agin) HQ Audio
Sylvester Stewart was born into the Dallas, Texas, family of K.C. and Alpha Stewart, followers of the Church of God in Christ (COGIC) who encouraged musical expression in the household. After the Stewarts moved to Vallejo, California, the youngest four children (Sylvester, Freddie, Rose, and Vaetta) formed “The Stewart Four”, who released a local 78 RPM single, “On the Battlefield of the Lord” b/w “Walking in Jesus’ Name”, in 1952.
While attending high school, Sylvester and Freddie joined student bands. One of Sylvester’s high school musical groups was a doo-wop act called The Viscaynes. The Viscaynes released a few local singles, and Sylvester recorded several solo singles under the name “Danny Stewart”.
By 1964, Sylvester had become Sly Stone and a disc jockey for San Mateo, California located R&B radio station KSOL, where he included white performers such as The Beatles and The Rolling Stones in his playlists. During the same period, he worked as a record producer for Autumn Records, producing for San Francisco-area bands such as The Beau Brummels and The Mojo Men. One of the Sylvester Stewart-produced Autumn singles, Bobby Freeman‘s “C’mon and Swim“, was a national hit. Stewart recorded unsuccessful solo singles while at Autumn.
In 1966, Sly Stone formed a band called Sly & the Stoners, which included acquaintance Cynthia Robinson on trumpet. Around the same time, Freddie founded a band called Freddie & the Stone Souls, which included Gregg Errico on drums, and Ronnie Crawford on saxophone. At the suggestion of Stone’s friend, saxophonist Jerry Martini, Sly and Freddie combined their bands, creating Sly and the Family Stone in November 1966. At first the group was called Sly Brothers and Sisters but after their first gig at the Winchester Cathedral, a night club in Redwood City, California, they changed the name to Sly & the Family Stone. Since both Sly and Freddie were guitarists, Sly appointed Freddie the official guitarist for the Family Stone, and taught himself to play the electronic organ. Sly also recruited Larry Graham to play bass guitar.
Vaetta Stewart wanted to join the band as well. She and her friends, Mary McCreary and Elva Mouton, had a gospel group called The Heavenly Tones. Sly recruited the teenagers directly out of high school to become Little Sister, Sly and the Family Stone’s background vocalists.
After a gig at the Winchester Cathedral, CBS Records executive David Kapralik signed the group to CBS’s Epic Records label. The Family Stone’s first album, A Whole New Thing, was released in 1967 to critical acclaim, particularly from musicians such as Mose Allison and Tony Bennett. However, the album’s low sales restricted their playing venues to small clubs, and caused Clive Davis and the record label to intervene. Some musicologists believe the Abaco Dream single “Life And Death in G & A”, recorded for A&M Records in 1967 and peaking at No. 74 in September 1969, was performed by Sly and the Family Stone.
Davis talked Sly into writing and recording a record, and he and the band reluctantly provided the single “Dance to the Music“. Upon its February 1968 release, “Dance to the Music” became a widespread ground-breaking hit, and was the band’s first charting single, reaching No. 8 on the Billboard Hot 100. Just before the release of “Dance to the Music”, Rose Stone joined the group as a vocalist and a keyboardist. Rose’s brothers had invited her to join the band from the beginning, but she initially had been reluctant to leave her steady job at a local record store.
The Dance to the Music album went on to decent sales, but the follow-up, Life, was not as successful commercially. In September 1968, the band embarked on its first overseas tour, to England. It was cut short after Graham was arrested for possession of marijuana and because of disagreements with concert promoters.
In late 1968, Sly and the Family Stone released the single “Everyday People“, which became their first No. 1 hit. “Everyday People” was a protest against prejudice of all kinds and popularized the catchphrase “different strokes for different folks”. With its B-side “Sing a Simple Song“, it served as the lead single for the band’s fourth album, Stand!, which was released on May 3, 1969. The Stand! album eventually sold more than three million copies; its title track peaked at No. 22 in the U.S. Stand! is considered one of the artistic high points of the band’s career. It contained the above three tracks as well as the songs “I Want to Take You Higher” (which was the B-side of the “Stand!” single), “Don’t Call Me Nigger, Whitey”, “Sex Machine”, and “You Can Make It If You Try“.
The band headlined the Harlem Cultural Festival before tens of thousands of spectators in Mount Morris Park in 1969, several weeks before the more widely known Woodstock festival. The concert is the subject of a 2021 documentary film by Ahmir “Questlove” Thompson called “Summer of Soul” airing on Hulu and in theaters.” The success of Stand! secured Sly and the Family Stone a performance slot at the landmark Woodstock Music and Art Festival. They performed their set during the early-morning hours of August 17, 1969; their performance was said to be one of the best shows of the festival. A new non-album single, “Hot Fun in the Summertime“, was released the same month and went to No. 2 on the U.S. pop chart (peaking in October, after the summer of 1969 had already ended). In 1970, following the release of the Woodstock documentary, the single of “Stand!” and “I Want to Take You Higher” was reissued with the latter song now the A-side; it reached the Top 40.
Internal problems and a change of direction
With the band’s new-found fame and success came numerous problems. Relationships within the band were deteriorating; there was friction in particular between the Stone brothers and Larry Graham. Epic requested more marketable output. The Black Panther Party demanded that Sly replace Gregg Errico and Jerry Martini with black instrumentalists and fire manager David Kapralik.
After moving to the Los Angeles area in fall 1969, Sly Stone and his fellow band members became heavy users of illegal drugs, primarily cocaine and PCP. As the members became increasingly focused on drug use and partying (Sly Stone carried a violin case filled with illegal drugs wherever he went), recording slowed significantly. Between summer 1969 and fall 1971, the band released only one single, “Thank You (Falettinme Be Mice Elf Agin)“/”Everybody Is a Star“, released in December 1969. “Thank You” reached the top of the Billboard Hot 100 in February 1970.
During 1970, Sly Stone spent most of his waking hours on drugs. He became erratic and moody, and missed nearly a third of the band’s concerts that year. The band did close out the Strawberry Fields Festival near Toronto, Ontario in August, but live appearances on television talk shows such as The Mike Douglas Show and The Dick Cavett Show went unpredictably. Meanwhile, Sly hired his streetwise cohorts, Hamp “Bubba” Banks and J.B. Brown, as his personal managers; they in turn brought in gangsters such as Edward “Eddie Chin” Elliott and Mafioso J.R. Valtrano to be Sly’s bodyguards. Sly enlisted these individuals to handle his business dealings, to retrieve drugs, and to protect him from those he considered his enemies, some of whom were his own bandmates and staff. A rift developed between Sly and the rest of the band; in early 1971, drummer Errico became the first to leave the band for other ventures. He was replaced with a succession of drummers until Sly settled on Gerry Gibson, who only remained with the band for a year before being replaced by Andy Newmark in 1973.
To appease fan demand for new songs, Epic began re-releasing material. A Whole New Thing was reissued with a new cover, and several of the Family Stone’s most popular recordings were packaged into the band’s first Greatest Hits album. Greatest Hits reached number two on the Billboard 200 in 1970.
During this period, Sly Stone negotiated a production deal with Atlantic Records, resulting in his own imprint, Stone Flower Productions. Stone Flower released four singles, including one by R&B artist Joe Hicks, one by a group called 6IX, and two pop Top 40/R&B Top 10 singles by Little Sister: “You’re the One” and “Somebody’s Watching You”, a cover of a song from Stand!. For unclear reasons, Sly gradually withdrew his attention from Stone Flower, and the label was closed in 1971. Little Sister’s “Somebody’s Watching You” is the first popular recording to feature the use of a drum machine for its rhythm track.
There’s a Riot Goin’ On (1971)
In 1971, Sly and the Family Stone returned with a new single, “Family Affair“, which became a number-one single on the Billboard Hot 100. “Family Affair” was the lead single from the band’s long-awaited There’s a Riot Goin’ On.
Instead of the optimistic, rock-laced soul that had characterized the Family Stone’s 1960s output, There’s a Riot Goin’ On was urban blues, filled with dark instrumentation, filtered drum machine tracks, and plaintive vocals representing the hopelessness Sly and many other people were feeling in the early 1970s. The album is characterized by a significant amount of tape hiss – the result of Sly’s extensive re-recording and overdubbing during production. Allegedly, most of the album’s instrumentation is performed by Sly alone, who enlisted the Family Stone for some of the additional instrumental parts and friends such as Billy Preston, Ike Turner, and Bobby Womack for others. “(You Caught Me) Smilin'” and “Runnin’ Away” were also released as singles, and performed well on the charts.
After the release of Riot, additional lineup changes took place. In early 1972, reacting to Jerry Martini’s probing about his share of the band’s earnings, Sly hired saxophonist Pat Rizzo as a potential replacement though both ended up remaining in the band. Later that year, the tension between Sly Stone and Larry Graham reached its peak. A post-concert brawl broke out between the Graham and Sly entourages; Bubba Banks and Eddie Chin, having heard that Larry had hired a hit man to kill Sly, assaulted Graham’s associates. Graham and his wife climbed out of a hotel window to escape, and Pat Rizzo gave them a ride to safety. Unable to continue working with Sly, Graham immediately quit the Family Stone and went on to start Graham Central Station, a successful band in the same vein as Sly and the Family Stone. Graham was replaced in the interim by Bobby Womack, and then by nineteen-year-old Rusty Allen.
Fresh (1973) and Small Talk (1974)
Despite the loss of the original rhythm section and Sly’s escalating cocaine use, the band’s next album, Fresh, was released in 1973. By this time, Sly’s sound had become more stripped down, yet more syncopated and rhythmically complex. Sly obsessively overdubbed the masters, as he had done with Riot. Although the record received mixed reviews at its release and did not attract the attention enjoyed by the band’s earlier work, Fresh has become recognized as one of the most important funk albums ever made. Rose Stone sang lead on a gospel-styled cover of Doris Day‘s “Que Sera, Sera (Whatever Will Be, Will Be)“, and the single “If You Want Me to Stay” became a Top 20 hit in the U.S. Its follow-up, Small Talk, was released in 1974 to mixed reviews and low sales. The first Small Talk single, “Time For Livin'”, became the band’s final Top 40 hit single. “Loose Booty”, the second single, peaked at No. 84.
During the 1970s, Sly or another of the band members would often miss a gig, refuse to play, or pass out from drug use, impacting their live bookings. At many gigs, concert-goers rioted if the band failed to appear or if Sly walked out before finishing his set. Ken Roberts became the group’s promoter, and later their general manager, when other representatives would not work with the band because of their erratic attendance. In January 1975, the band booked itself at Radio City Music Hall. The famed music hall was only one-eighth filled, and Sly and company had to scrape together money to return home. Following the Radio City engagement, the band was dissolved.
Rose Stone was pulled out of the band by Bubba Banks, who was then her husband. She began a solo career, recording a Motown-style album under the name Rose Banks in 1976. Freddie Stone joined Larry Graham’s group, Graham Central Station, for a time; after collaborating with his brother one last time in 1979 for Back on the Right Track, he retired from the music industry and eventually became the pastor of the Evangelist Temple Fellowship Center in Vallejo. Little Sister was also dissolved; Mary McCreary married Leon Russell and worked with him on music projects. Andy Newmark became a successful session drummer, playing with Roxy Music, B. B. King, Steve Winwood and others.
Sly Stone’s later career
Sly recorded two more albums for Epic: High on You (1975) and Heard You Missed Me, Well I’m Back (1976). High On You was billed as a Sly Stone solo album; Heard You Missed Me was a Sly and the Family Stone album in name only. Although Sly continued to collaborate with some of the original Family Stone members on occasion, the actual band no longer existed. Sly played most of the instruments on the record himself; he maintained a band to support him for live shows. Among his main collaborators were Cynthia Robinson and Pat Rizzo from the Family Stone, and background vocalists Lynn Mabry and Dawn Silva, who parted with Sly in 1977 and formed The Brides of Funkenstein in 1978. Epic released Stone from his contract in 1977, and in 1979 released 10 Years Too Soon, a remix album featuring disco versions of the 1960s Family Stone hits.
Sly signed with Warner Bros. and recorded Back on the Right Track (1979). Although the album featured contributions from Freddie and Rose Stone, Sly remained unable to return to the success of his late ’60s and early ’70s fame. He toured with George Clinton and Funkadelic during the late 1970s and early 1980s, and also appeared on the 1981 Funkadelic album The Electric Spanking of War Babies. That year, Clinton and Sly began work on a new Sly Stone album; however, recording halted when Clinton and Funkadelic disputed with and left Warner Bros. Records in late 1981. When Sly disappeared into seclusion, producer Stewart Levine completed the album, which was released as Ain’t But the One Way in 1982. The album sold poorly and received mixed critical reception, but Sly made an appearance on Late Night With David Letterman that year. Overcome by drug addictions, Sly Stone toured the United States with various backup acts. In June 1983 in Ft. Myers, Florida, he was arrested on drug possession and entered court-ordered drug rehabilitation in 1983. Once released, Sly continued sporadically releasing new singles and collaborations until a 1987 arrest and conviction for cocaine possession and use. Afterwards, he stopped releasing music.
In 1992, Sly and the Family Stone appeared on the Red Hot Organization‘s dance compilation album, Red Hot + Dance, contributing an original track, “Thank You (Falettinme Be Mice Elf Agin) (Todds CD Mix).” The album attempted to raise awareness and money in support of the AIDS epidemic, and all proceeds were donated to AIDS charities.
On August 16, 2011, the album I’m Back! Family & Friends was released. The album features re-recorded versions of Sly and the Family Stone’s greatest hits with guest appearances from Jeff Beck, Ray Manzarek, Bootsy Collins, Ann Wilson, Carmine Appice, and Johnny Winter, as well as three previously unreleased songs.
One month later, on September 25, 2011, the New York Post reported that Sly Stone was now homeless and living out of a white camper-van in Los Angeles: “The van is parked on a residential street in Crenshaw, the rough Los Angeles neighborhood where ‘Boyz n the Hood’ was set. A retired couple makes sure he eats once a day, and Stone showers at their house.”
Sly & The Family Stone ~ Family Affair 1971 Disco Purrfection Version
Sly And The Family Stone “I Want To Take You Higher” on The Ed Sullivan Show
SLY & FAMILY STONE Dance to the Music
Sly & The Family Stone – If You Want Me To Stay (Audio)
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